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Showing posts from March, 2012

This Body is My Body.... Celebrating Tropes and Transitions

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On April 26 from 5.30-7.30pm, WIAprojects is having a celebration! -  An art and performance event and potluck at the CWSE, OISE, 252 Bloor Street West 2 nd  floor, Room 2-227. Barbara Center ARTIFACTS  Vida Beyer Spring sometimes stands as a trope or metaphor for new beginnings. It can mark an emerging confidence, faith or sexuality, perhaps a shift into our crone years or, for some, a transition from university study into work life.  CWSE wraps up an exciting year of research activity, a highly successful Wellness Series and begins registering once again for the Women's Human Rights Education Institute (WHRI). At WIAprojects, a group of wonderful interns “graduate” as curators, educators, writers and overall great cultural producers as we end the busiest academic year-to-date presenting exhibitions, panels, conversations and publications sponsored by Cultural Pluralism and the Arts and the Jackman Humanities Institute Program for the Arts  at th

Roundtable: Locations/Dislocations – Border Crossings: An Erotic Affair?

Artists Sylvat Aziz, Meral Pasha (Ontario) live cross border from Mesma Belsare (Boston). In complex ways, they interweave gender, sexuality and artistic practice as they confront how dislocation, and their longing for relocation, is mapped on their bodies: for Belsare it is the dynamics of gender in dance, for Aziz a cultural critique, and for Pasha the complexities around gender displacement, and cultural loss. The series Border Crossings: An “Erotic” Affair? brought these artists as well as academics, writers, and curators together this past academic year in conversation at the St. George and Scarborough campuses of the University of Toronto. This conversation will be extended and shared as a Roundtable with presentations by Dina Georgis, Pailagi Pandya, Emily Kakouris and Sevan Injejikian and moderated by Pam Patterson; the university community and general public are invited to join the discussion. April 10th at 12 noon -1.30pm in Room 2-225 at the Centre for Women’s Studi

An Eksperimenta! Moment

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Joanna Black & Miriam Cooley at CWSE by Hilda Hashimoto On January 18, 2012, WIA Projects held a seminar on curatorial collaboration in which curators and art educators Miriam Cooley and Joanna Black discussed their role as Canadian curators in the international exhibition Eksperimenta! held in Estonia, 2011. Contrary to the myth that an artist works alone and, creatively in isolation, fashions an individualistic work of art untainted by others and belongs to him or her alone, the execution and presentation of art needs more than just the artist. Curators and other collaborators, specific to an exhibition, are responsible for developing and presenting the display; providing information on the art and artists; and developing and shaping the concepts the curator, artist, and institution wish to convey. Estonia was chosen as the location for Eksperimenta! which is quite a distance to transport art and artists. The distance alone caused a strain due to the inadequate Canad

Meral Pasha: Liminal Spaces: Inside the Folds of a Map

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Guest Curator: Sevan Injejikian  Assistant Curator: Vida Beyer CWSE Hallway Gallery OISE/UT 252 Bloor Street West, 2 nd floor hallway Opening: April 2nd, 5.30-7pm Artist Remarks: 6pm Exhibit runs until April 27th.  Meral Pasha’s photographic works explore complex notions of racial, cultural and gender identity. Pasha utilizes digital photography and its infinitely manipulable electronic bit to address the tenuous relationship between identity and place and to posit a multi-locational sense of self. Her portraits and landscapes plumb fragments of personal narrative and unhinge stereotypical representations of South-Asian women and the migrant experience which have become a part of the Western cultural imaginary.  A recent graduate of OCAD University, Meral Pasha is an emerging Canadian artist whose research into feminist, queer, and post-colonial issues is an ongoing attempt to posit herself in the various stories that surround and inform her. She was raised Musl